Pieces that investigate how to convert one's language applied to different techniques and surfaces.
Translating the same iconography into volume, using ceramic, glass or sculpture.
Ceramics worked with red clay, engobe, enamel, vinegar binder, gold dust and third fire technique. The third fire technique consists of the use of oils and vinegars on pieces once they have been glazed.
Pigments used let us make more precise brushstrokes on vague backgrounds, as they are mixed with different greasy binders. Depending on the binder used, brushstrokes change in opacity, sharpness or density.
Historia de dos amigos que dan la vuelta al mundo recogiendo cerezas, 2019 / 38 cm x 15 cm.
Historia de dos amigos que dan la vuelta al mundo recogiendo cerezas, 2019 / 38 cm x 15 cm.
El burro y la niña, 2019 / 25 x 10 cm.
Copyright © 2024 Clara Romero Aguado
Pieces that investigate how to convert one's language applied to different techniques and surfaces.
Translating the same iconography into volume, using ceramic, glass or sculpture.
Ceramics worked with red clay, engobe, enamel, vinegar binder, gold dust and third fire technique. The third fire technique consists of the use of oils and vinegars on pieces once they have been glazed.
Pigments used let us make more precise brushstrokes on vague backgrounds, as they are mixed with different greasy binders. Depending on the binder used, brushstrokes change in opacity, sharpness or density.
Historia de dos amigos que dan la vuelta al mundo recogiendo cerezas, 2019 / 38 cm x 15 cm.
Historia de dos amigos que dan la vuelta al mundo recogiendo cerezas, 2019 / 38 cm x 15 cm.
El burro y la niña, 2019 / 25 x 10 cm.
Copyright © 2024 Clara Romero Aguado